One Of The Last 1960s ‘Bond Girls’ Had Died


In “On Her Majesty’s Secret Service,” she played the only one of Bond’s love interests to marry the secret agent.

‘Sexy, confident, witty and karate-adept’ – Dame Diana Rigg dead at 82

By Anita Gates

Sept. 10, 2020

The New York Times – Diana Rigg, the British actress who enthralled London and New York theater audiences with her performances in classic roles for more than a half-century but remained best known as the quintessential new woman of the 1960s — sexy, confident, witty and karate-adept — on the television series “The Avengers,” died on Thursday at her home in London. She was 82.

Her daughter, Rachael Stirling, said in a statement that the cause was cancer. [The BBC reports that Riggs was a ’20-a-day smoker.’ – Ed.]

Ms. Rigg had late-career success in a recurring role, from 2013 to 2016, as the outspoken and demanding Lady Olenna Tyrell on HBO’s acclaimed series “Game of Thrones.” “I wonder if you’re the worst person I ever met,” Lady Olenna once said to her nemesis Cersei Lannister (Lena Headey). “At a certain age, it’s hard to recall.”

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Photo of Diana Rigg from her short-lived NBC Television show, Diana.

But Ms. Rigg’s first and biggest taste of stardom came in 1965, when, as a 26-year-old veteran of the Royal Shakespeare Company, she was cast on the fourth season of ITV’s “The Avengers.”

As Emma Peel, she was the stylish new crime-fighting partner of the dapper intelligence agent John Steed (Patrick Macnee), replacing Honor Blackman, who had left to star in the James Bond film “Goldfinger.” (Ms. Blackman died in April.)

Although Mrs. Peel, as Steed frequently addressed her, remained on the show relatively briefly, she quickly became the star attraction, especially when “The Avengers” was broadcast in the United States, beginning in 1966.

Reviewing the 1969 movie “The Assassination Bureau,” in which she starred, Vincent Canby of The New York Times described Ms. Rigg in her Emma Peel persona as a “tall, lithe Modigliani of a girl with the sweet sophistication of Nora Charles and the biceps of Barbarella.”

She had left the show by then for a luminous career in feature films. Her other roles included Helena in Peter Hall’s “A Midsummer Night’s Dream” (1968), Portia in an all-star version of “Julius Caesar” (1970) … Read more. 

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